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Shibuya Department H

click on a picture to see a blowup. whew!

Above an AM/PM in Shibuya, near Love Hotel hill, on the first Saturday of every month, the sex curious and body freaks come out for a show and hoedown called Department H.

I was visiting with Erieza, the leader singer of a girl-rock-sex-punk band Ana-Dorel (Asshole Slave), and her friend Itaka, a 24 year old woman who edits hardcore porno mags. Admission at the door was 3000 for straights with two drink tickets, or 500 for the appropriately costumed. Her pink spangled nipple covers and panties qualified her. I was in a boring suit.

Pushing past the entry curtain into a large room with a stage. A slight woman with a purple fake feather boa is doing a strip teasing dance. Impossibly tall drag queen men mingle with some naked bodies. There's a man entirely trussed up, suspended against himself, anonymous in elaborate thin leather strips.

On the stairs we pass two men with their dicks hanging out, one man I will see all the night perched on the same step, watching people walk by, slowly jerking off.

Department H, yiminey! There are coin lockers for stashing our belongings and street clothes, but these are full. We find a dark corner far from the door to stash our things. I see a Japanese man in glasses wearing only a tie walk by carrying a briefcase, a nice midnight salaryman. Erieza points out that plenty of men here are just walking around "pim pom" their dicks wagging free. I enjoy being naked as much as the next guy, and I felt dumb, voiceless without a costume. So I ditched all costume.

Erieza quickly befriends a large black man in a Mexican wrestler mask and a t-shirt. His buttocks protruded round and firm, I poked them to be sure they were real. Erieza asked him if he liked receiving anal sex, he responded with an enthusiastic yes.

Downstairs we stood near the stage to watch striptease. A Japanese drag queen performed a routine of sexy Brazilian gyrations, elaborate costumes chanced in between each one. For the immensely teasing finale, he stripped off six different thong underwears, finally cupping his genitals in his hand and backing offstage smiling.

Ereiza knew some beautiful menladies and introduced me to foreigners and Japanese who probably would have been lively conversation. But confronted by elaborate permutations of gender and sexuality I was struck silent. I opted to walk around the room during a moment when the live entertainment stopped and an exercise video featuring a giantess transgendered bodybuilder took over the stage.

Department H, yiminey! Two stunning creatures I could not describe except to say that their naked breasts and proud, liminal sexuality drew me in. I stood naked near them, looking and wondering what possibly I could say, to start conversation. An older man stepped between us, grabbed my cock and began to jerk me off. I was completely shrivelled at this point, as I was for nearly all the night - an entire room full of people is not yet somewhere I can sustain an erection.

"Genki desuka?" he asked. Are you energetic? (a common salutation)
"Hai, genki desu, demo chin chin wa, chotto genki j'nai." Yeah I'm energetic but my pee-pee isn't.
"Dessho?" probably so? he continued some ministrations and I stood there smiling until it was clear that I wasn't going to respond well yet. So he left my foreskin to slide back over my limpness and moved on. I later saw him bent over on top of the back of an unknown gender in pigtails up against rails on the balcony ministrating rapidly under their skirt.

Department H, yiminey!

I was again in a silent triangle with these somehow alluring two. I asked permission to take their photograph and resisted an urge to ask to touch their flesh. I stood by to try to soak up some of their ethereal funk vibe. One complained to the other about the elastic in their body-binding strings. I didn't have concerns close enough to theirs to share and they were too obvious to put on the spot.

The video stopped and it was information time - one by one, groups ascended to where the stage protruded into the audience and announced their group, club, event, store or party:

X-RATED CATFIGHT SHOW!
KYOTO CORSET SHOP!
NEW ROPPONGI S&M CLUB!
TRANSVESTITE BAR!
BIZARRE LOUNGE TABOO GINZA!
TRANSSEXUAL HOSTESS CLUB!
BUKKAKE VIDEO SHOOT NEXT WEEK!
S&M PERFORMANCE WITH BLACK MAGIC METAL MUSIC!

Most all of these people who ascended the stage were participants in this scene, somehow having modified their body, their dress or their manner to accomplish accelerated identity. You can see costume all over Japan, people work to state their position with clothes. These people had taken all of human desire as it can be merged into reproductionless play and pushed it through sex play participation.

Three young Japanese guys naked but for glasses and maybe shoes ascended the stage to announce something. Erieza pointed them out to me and I thought somehow it was "the official time for naked guys to ascend the stage" so I went up with them. They stared at me just a moment then they continued ranting in Japanese into the microphones. I was given some flyers and I handed them out. Gogh, the tall thin Japanese promoter wearing a Russ-Meyer scale leather breast encasement handed me a microphone. What did I have to say to a room full of Japanese sex freaks? Nothing yet. Briefly I contemplated singing the Colonel's part from Soldiers of the Queen and handed back the microphone.

The leader of the group got down on all fours and showed the audience his rear pucker, the other men assumed writhing body contortions around him. I put my leg up over my head behind my neck and pantomimed licking my cock; all-fours boy jerked my flaccid cock in a performative frenzy.

Department H, yiminey!

We stood up and both danced a sort of rapid dick-wiggling jiggle.

Department H, yiminey!

He grabbed a mic, shouted a bunch of stuff into it and turned to me:
Department H, yiminey! "Who are you?!" he put the mike to my face.
I looked out over the crowd, thought for a moment about identity, and said "Justin Hall" in Japanese (jyasutin haru).
"You like natto?!"
Yes I like natto but raw cod sperm is a little difficult!
"What?!" he yelled!
I yelled back "Sperm, what?!"
He looked in my face, his eyes big - "Get off!!"
I hopped down from the stage and they finished their announcement.

(Thanks to Erieza for those photos).

Shortly thereafter an emcee proudly announced that BBC was filming Department H that night.

Department H, yiminey!
The BBC's cameraman scopes a wo/man with a firecracker burning from below.

Department H, yiminey! The best performer of the night was undoubtedly Tsubaki Chako (is that her name?) a outrageously energetic short woman who had been tattooed but more extensively branded, red skin welts rising in a Star of David and a teddy bear shape just past her American spangled costume. Department H, yiminey! She had done a violent strip tease that ended when she straddled the head of an audience member and pulled him on to the stage, rough riding his face. She got up during information time to promote a cat fight. Another young man revealed his pucker and two of Chako's cute young catfighter cohort went looking for volunteers from the audience. I began to offer myself when they chose a hapless photographer next to me; he was pulled on stage and he was forced to tongue the asshole of the man on stage as two young ladies in leather boots and little fringe rode the two of them.

Department H, yiminey! Erieza, Itaka and I collected flyers and I stuffed them in my bag. It was an hour of glimpses into different fetish scenes. The soundtrack was old jazz, oddly enough. Fats Waller! A 1930s-era Brunswick recording of Mood Indigo by Duke Ellington plays as the lights are lowered so we can watch a woman? stick a sparkler in her lower quarters, as it burns up towards her short hairs. The two trannies I admired announced that they worked at a hostess bar.

Department H, yiminey! Erieza asks me to act as her boyfriend for the night, a "cock block" as we call it in the West. Too many men, she points out. I had to see what she meant, since I'd had my genitals and buttocks fondled by the hungry sex. So we locked arms, or stood with my arm around her waist. Nice to be skin to skin, but really there wasn't much of a sex vibe - it was a non-stop sex throttling there, and she turned out to be marvellously proper for a woman who created a band called "asshole slave" and works as a dominatrix. Men would come up to her asking if they could touch her tits, or see underneath her nipple patches. She would dismiss them, pointing at me "My boyfriend is kibishii" (stern, intensely serious, strict). I looked down at the skin hanging off the bottom of my arms and marvelled more at her strength.

Department H, yiminey!
White man wearing an Indonesian cock-sheath leers at a leaning Erieza.
Between acts, video footage of mulleted buffed-out Chippendales-type stripper men from the early 1980s dancing with airbrushed blonde ladies. One of these videos ran very long, we were getting bored. The brilliant Tsubaki Chako ascended the stage for an impropteau fucking around, writhing, stripping. She zipped down her vest and pulled Ereiza and I in to wrap our mouths around her peirced tits. I reached up around behind her to smack her ass and she whacked me on the head - "no hands! no hands!"

blood play

The stage was covered in a thin layer of plastic and the music shifted to old Japanese punk for the last performance (some music by Japanese punk band Stalin, for example). A long haired man in a lab coat carried out a plastic wrapped bundle and laid it in a chair. A tall wasted-thin woman wrapped in bandages broke her way out of the plastic and flopped onto the floor to play with a medical kit there. She wrapped turniquits around her neck, poured powder on her face, drank orange liquid from test tubes, wrapped more of her body in bandages. The doctor returned from backstage to present her with a syringe and some needles. She wrapped her arms in turniquits and poked at her veins so she leaked blood down her arms, on to her chest, on to the floor. It was gripping and gross. When she came to my edge of the stage, her arms appeared completely abused; purple puffed up places where blood flows near the elbow. She could bend her arms over backwards and so to great affect were her limps contorted as she tied and untied to work her thin rivulets of blood before the crowd.

The well-dressed girl from the Kyoto fetish store ascended the stage as a volunteer assistant to this. Syringes were filled with thin girl's blood and squirted, dribbled. Never enough blood to seem dangerous except for the wanton pricking and poking she was doing. The soundtrack was compelling hard punk and so sometimes she would be halfway trying to coax a needle into her arm and she'd just stop and start waving her arms in time with the music and bandages and needles would go flying. It was rather alarming.

Department H, yiminey! Department H, yiminey! Department H, yiminey! Department H, yiminey! Department H, yiminey! Department H, yiminey! Department H, yiminey! Department H, yiminey! Department H, yiminey! Department H, yiminey! Department H, yiminey! Department H, yiminey! Department H, yiminey! Department H, yiminey!

And then it was over. We walked back through the thinned crowd as Chako was wrestling someone on the floor, and men stood around jerking off through their zippers.

I had been told about the event initially by Pio, an Italian journalist at the FCCJ. He was too sick to come with. But he said he heard that I had been, and I had participated, and so he says I can pick up my Japanese citizenship next month, same time, same place.

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